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The problem with these was that they were plagued by hum and noise. Two coils of wire were used but put out of phase with each other such that the hum was effectively cancelled out.The PAF was much quieter than the typical single coil.For example, the new Gibson Les Paul Traditional emulate these classic tones, using the Burstbucker pickups described below.

Fingerboard edges and fret ends provide a slightly rough ride in places, but more importantly, an unplugged strum reveals a bold, snappy acoustic voice with bags of sustain that bodes well for the LPJ's plugged-in performance.

As these have different magnetic properties, the characteristic tone of the pickup could vary considerably.

Secondly, as pickups were wound using machines operated by humans with no definite ‘stop’ point, pickup windings could also vary hugely, with a great effect on pickup output.

Gibson describes these as ‘Time Machines’, creating vintage tone in an all-new pickup.

Who are we to argue with the guys that built the original?

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