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When it works — as it does here, beautifully — this highly stylized approach to adaptation appeals to audiences who love drama and the written word.The literary flavor of the book is preserved, yet the evening itself is thrillingly theatrical. Lawrence's novel and this staging can be, let's be frank.Perhaps that is because, until she met Oliver Mellors, Constance's world was one of thought and talk.It was the masculine, snobby world of her husband, Clifford (Jim Jorgensen), a realm of fiery intellectual debates, reading great books and endless conversation.The production's only nude scene is not what you would expect.Instead, it's a moment when Constance and Oliver peel off their clothes and run around in the rain, as happy and unfettered and curious as children.

Miss Shupe's portrayal of Constance is so whole you experience the wasting away in her marriage to Clifford as acutely as she does and you share in the lusty triumph of her liberation as well. Owen, as Oliver Mellors, embodies the nature-loving stud without descending into stereotypical macho posturing.Owen) pulsate with lushness and heat and awakening senses.Onstage portrayals of sex can be awkward and false when there is no chemistry between the actors, but Miss Shupe and Mr.I'm happy to report that the production appeals to the libido as much as it does the intellect.The love scenes between Constance Chatterley (Michelle Shupe) and Oliver Mellors (Hugh T.

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